Use of Mozart’s in the Improvement of Modern Music

Introduction

Mozart is one of the most prolific composers during the classical era. During his time, he had composed over six hundred works that came to be acclaimed as pinnacles of different genres. They included concertante, operatic, symphonic, chamber, and choral music. Mozart’s operas are 22 in number. He is particularly famous for his rather extraordinary capacity to attain, assimilate and imitate new styles that emerged in the music world. Mozart’s fame can also be attributed to his artistic and classic use of soprano in his work.

 

This is a research proposal, which seeks to establish the significance of Mozart’s operas for soprano. In the research proposal, the importance of Mozart’s opera for soprano will also be discussed. The reasons why the research to be conducted would be of value to a wider community of music scholars have also been discussed, with the author seeking to identify ways in which the scholars can utilize the information and skills that they will have acquired from Mozart’s work. Two of Mozart’s operas for soprano will also be used for the purpose of the research. The operas are the aria “Dehvieni non tardar” of Susanna and the aria “Porgiamorqualcheristoro” of Rosina. The methodology to be applied in the research has also been clearly stated and systematically illustrated.

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Literature Review

There is no doubt that Mozart is one of the most successful opera musicians during the classical age. Moreover, lessons learned from Mozart’s works can be applied by music scholars to date. For instance, Mozart’s use of soprano is artistic. Mozart’s operas for soprano, also commonly referred to as arias are a true reflection of this, with the artist has employed a great deal of soprano as a musical technique. Soprano in the music industry refers to a kind of a female classical singing voice. The voice is known to be of the highest vocal range when compared to all other voice types.

However, male musicians have also been known to sing sopranos, and their works are referred to as ‘male sopranos’. Mozart is one of such male musician who has been able to use soprano in his works. His classical use of the style led to the production of a number of aliases; two of the most successful ones being the aria “Dehvieni non tardar” of Susanna and the aria “Porgiamorqualcheristoro” of Rosina. Soprano as a musical style is mostly applied in operas.

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Through the aid of Mozart’s operas for soprano, Music scholars are able to understand the heights to which artists can rise through determination and will to engage in the extraordinary. For Mozart, being a man does not limit him from practicing and using soprano. He becomes so successful in the field that his operas for soprano are referred to as arias. The term aria refers to an expensive melody that is usually, but not always performed by a musician. The term shows how successful Mozart was in this field that was previously a reserve for the females.

If males today were also to engage in the production of arias, then the quality of the songs and operas produced today would be high, similar or close to those of the women. The use of a wide vocal range would also ensure that the male artists would be able to produce more works since they would not be limited to a single vocal range. Diversification would also be encouraged as a result of the wide vocal range. Modern musicians would be able to produce in a variety of musical genres, such as concertante, operatic, symphonic, chamber, and choral music.

Although modern musicians would not be expected to portray similar levels of expertise such as those seen in Mozart’s aria “Dehvieni non tardar” of Susanna and the aria “Porgiamorqualcheristoro” of Rosina. Great improvements would be noted in the event that the singers and music scholars put into use the findings and recommendations that would result from the research when conducted.

In Mozart’s operas for soprano, the works produced had the aim of shaping a particular role. Mozart’s arias could theoretically make the singer understand the important aspect of role shaping, and further, be aware of the creation characteristic of Mozart’s soprano aria and experience the significant role of the aria in the whole opera. In practice, it could make the singer better grasp the character in the opera, experience the subtle changes of the mental activity; thus, better controlling the singing style of Mozart’s opera.

The arias would also be of great importance in helping musicians experience the creation thought of Mozart’s music and achieving the features of characters expected to be shaped by Mozart. As a result, they will end up sharpening their art skills too and will be translated to improvement in the quality of music produced worldwide. Music scholars also need to understand the issues surrounding role shaping with regard to Mozart’s operas for soprano. The scholars play important roles in guiding the activities of the musicians. As opposed to the musicians, they are the professionals in this field and they also act as the policymakers in the industry.

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Methodology

The research will be a qualitative one. The effectiveness of the research will be measured in terms of the response to measures that have been put in place. To begin with, a group of female musicians will be randomly selected. The musicians will then be provided with adequate training concerning Mozart’s operas for soprano. In addition, they will be educated on matters relating to how Mozart has successfully adapted soprano as a style in his aria operas. The training will be done citing examples on two of Mozart’s most successful operas the aria “Dehvieni non tardar” of Susanna and the aria “Porgiamorqualcheristoro” of Rosina.

The female musicians will be taught on the means of tuning their vocals only since they already possess the feminine vocalization. Only half of the sample size used will be trained, while the rest of the musicians will be used as the control group. Evaluation of the performance of the sample size will be done yearly in terms of the quality of the work they produce after training. The changes will be recorded as the basis of the judgment of the effectiveness of the research. Among the important aspects of the opera that will be used to give teachings to the female musicians concerning the two arias will be;

The aria “Deh Vieni non tardar” of Susanna is a famous aria. In the fourth scene of the opera, Mozart shows accurately the kind of sweetly pleasant mood of Susanna when she faces her lover. Mozart also uses aria to show her daring and untrammeled passion for love. Susanna is optimistic and clever, so her music melody is in the pursuit of what is exquisite and pure. Her tone is mellow and beautiful, but also the rhythm is lively and vivid. She looks gentle when sings for her lover Figaro.

Simultaneously things that contrast with Susanna are the characteristics of Rosina. In the aria “Porgi amor qualche ristoro”, at the second scene, Rosina feels very sad after she learns that Earl falls in love with Susanna. The melody shows her heart of very dramatic emotions while she is still longing for a beautiful love. She sings the song that prays to Cupid. The aria accurately depicts the inner pain of the noblewoman who is afraid of been abandoned soon but at the same time, she cannot lose her dignity. The character of Rosina is elegant and generous. She expresses her smooth and rich in emotions. The whole aria has laid peaceful and melancholy keynotes.

As a result of the training, notable improvement will be expected in the manner in which the female musicians produce their music. The quality of the voice will be most notably be improved. With the training, the musicians will be able to tune their voices to collaborate with their emotions. Diversification in the types of music that will be produced is also likely to occur as a result of the wider vocal range used. Moreover, role shaping is important for the singer to grasp the characters of the operas.

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Conclusion

The music industry is one of the most dynamic fields in the world. The reason for this is that music tends to evolve together with the culture of the people, especially the audience. However, it is important to note that the evolution of the music industry does not mean a complete change in the styles used for the purpose of producing music. Styles used a long time ago tend to be applied in modern society. The use of soprano in operas is one of such styles that has been used in the past and has exhibited great potential if used in modern society.

The purpose of this research will be to incorporate the important aspects of ancient operas such as the use of soprano by Mozart into modern music. The significance of applying the teachings of Mozart’s will be improved quality of music produced. Though Mozart’s operas, musicians can learn important lessons, such as role shaping and improvement in vocal output. As a result, diversification will occur since more genres will be produced. Better vocalization will also translate to improved quality.

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